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The Alexander Alliance International – Loving the Work, Living the Work, Teaching the Work – Kalamata, Greece – October 10-18, 2020

Our Retreat Center in Kalamata

Join us in celebrating our 40th birthday in Kalamata, Greece!

Everyone is welcome: Alexander students, High Touch students, Alexander trainees from any Alexander teacher training program, all Alexander teachers worldwide, all Alliance Alliance post graduates, all Alexander Alliance alumni including alumni from the Alexander School and the Alexander Foundation.

Directors from all of our Alexander Alliance schools will be teaching: Robyn Avalon, Midori Shinkai, Sakiko Ishitsubo, and yours truly, Bruce Fertman. Our entire Alexander Alliance faculty will be on hand to teach as well.

We are busy working out all the details now. But I wanted to let you know the dates, so you can reserve them.

If you are interested, even if you are not certain you can make it, just send me an email to bf@brucefertman.com telling me you are interested. I will then put you on our mailing list and keep you informed all along the way.

Of course, we will have one day off to explore Kalamata. A native Alexander teacher writes:

Kalamata, as I’m sure you already know, is well known for its olive trees and the unique olive oil it produces. The local food is to die for. The hotel is a 14min drive away from the airport and a 10min drive from the main town. The sea in Kalamata boasts of some of the clearest waters in the country – you will see for yourself once you swim well away from the beach at approximately 1mile inside, an adventure worth to be done solo (provided one can swim well) where one can experience the awe of being in the middle of nowhere, totally unprotected yet still floating. It’s magical. No sharks. In general, a great advantage is that Kalamata is not your average touristy location – more of a preferred site for locals. It is likely to be exactly what you need for a peaceful retreat. Greeks prefer to visit Kalamata in May, June or September. I would highly recommend experiencing local olive oil poured on to freshly baked local bread…the purest form of the local natural flavours. Meat and fish for non-vegetarians will be an experience they will never forget. Likewise, the tomatoes, olives, cucumbers and green peppers will also be a flavour that vegans and vegetarians will cherish for the rest of their lives. The local desserts are very dense jams of local fruits and vegetables (there’s the famous aubergine jam!). Herbal teas are unique in Kalamata, with some protagonists being marjoram, sage, camomile and sideritis (known as mountain tea). For coffee lovers, Greece is a paradise.

Please consider joining us to celebrate the Alexander Alliance and the work of F.M. Alexander.

Begin by simply sending me an email to bf@brucefertman.com, letting me know you are interested.

October 10-18, 2020.

Put in on your calendar!

Yours,

Bruce Fertman, for the Alexander Alliance International

 

 

 

2019年11月〜2020年3月 ワークショップ情報

2019年11月〜2020年4月までのワークショップ情報です。

随時追加・更新していきますのでご確認ください。

 

◎2019年

◎11月30日(土)〜12月1日(日)

こころとからだの動き研究会主催「(仮)アレクサンダー・テクニーク・ワークショップ」in 松江

詳細は決まり次第ご連絡致します。

 

◎12月7日(土)〜12月8日(日)

すこやか研究所主催「(仮)アレクサンダー・テクニーク・ワークショップ」in 姫路

詳細は決まり次第ご連絡致します。

 

◎2019年

◎2月(第2または第3週末の予定)

アレクサンダーアライアンス京都・大阪・岡山校主催「(仮)アレクサンダー・テクニーク・ワークショップ」in 大阪

詳細は決まり次第ご連絡致します。

 

◎2月22日(土)〜2月23日(日)

CIT主催「(仮)臨床が変る!! セラピストのためのアレクサンダー・テクニーク」in 東京

詳細は決まり次第ご連絡致します。

 

◎3月11日〜3月16日:韓国

 

◎3月28(土)〜3月29日(日)

Enlighten主催「(仮)アレクサンダー・テクニーク・ワークショップ」in 広島県福山市

詳細は決まり次第ご連絡致します。

 

◎4月8日〜4月14日:韓国

ワークショップに関するご依頼、ご質問はお気軽にメールにてご連絡ください。

英語でのお問い合わせ→ bf●brucefertman.com (ブルース・ファートマン)

※●の部分を@に変更してください。

日本語でのお問い合わせ→alexanderlife_japan●yahoo.co.jp  (林)

※●の部分を@に変更してください。

日本語でのお問い合わせの際は、必ず件名に「ブルース・ファートマンのワークショップ」とご記入ください。

 




 

A Peek into My Next Book – The Dismantling of the Ego -Somatic Musings Inspired by and in Honor of the Work of Claudio Naranjo

 

“Identity would seem to be the garment with which one covers the nakedness of the self: in which case, it is best that the garment be loose, a little like the robes of the desert, through which one’s nakedness can always be felt, and, sometimes, discerned.”

 Baldwin

 

 

 

 

The Dismantling of the Ego

 Mantle derives from the Latin, mantellum, to “cloak”. So, to mantle the ego is to cover it. Once covered, we do not see it. Our own egos are somehow veiled, enshrouded, hidden from our view. To dismantle the ego is to uncover it, unveil it, to make it visible to us. This is the first step. I use the word ego colloquially. When we say someone has a big ego, or is egotistical, or egocentric we just mean that they are a bit full of themselves, preoccupied with themselves, overly centered around themselves. Once our egos are visible to us, we can take the second step of dismantling the ego. We can begin the process of deconstructing the ego, dissembling it, analyzing it, until we come to a deep understanding of what our ego is and how our particular ego operates.

As we take it apart, and begin to understand it, we find ourselves feeling better. We come to realize, sometimes suddenly, sometimes gradually, that our egos themselves have been serving as a kind of mantle, covering who we really are.

We realize that it is our ego with which we have been identifying and showing to others. It would be as if we thoroughly identified with our clothes and make up and jewelry, that we began to believe that this is who I am, this is me. We make our own “coat of many colors”, and we show this coat to the world. And then we realize that this cloak, this coat, and all these accoutrements are not us, that who we really are lives underneath this attire, in a place that we cannot see, but only sense.

This brings me back to Baldwins’ quote, which I will quote again here.

“Identity would seem to be the garment with which one covers the nakedness of the self: in which case, it is best that the garment be loose, a little like the robes of the desert, through which one’s nakedness can always be felt, and, sometimes, discerned.”

It is best that the garment be loose. But how do we actually do that? How do we loosen the grip our egos have over us? To be able to loosen the garment, the ego, we first must know we are wearing a garment. We must know that we have come to identify who we are with our garment. Without this recognition, we are living a life of mistaken identity. We are not who we think we are. Once we know we are wearing a garment, we can examine it, get to know it in great detail. Only then, can we figure out how to loosen it. Once loosened, we can breathe. Feeling comes back into our bodies.

There is nothing more we really have to do. Everything we need is there, under the garment. Nothing is missing.

All the work involved, and there is a great deal of work to be done, is in learning how to dismantle the ego, learning how to uncover it, learning how to deconstruct it, analyze it, and understand it, physically, psychologically, socially, and spiritually, with the goal of loosening it.

Once loosened the rest, mysteriously, seems to happen by itself. Grace enters into the process.

In no way have I finished my work. There seems to be layers upon layers to the ego, but I can say that some progress has been made. As a teacher, I find myself teaching what I do not know and most need to learn. I am my slowest students. Even when progress has been made, vigilance is required. Best not to rest on one laurels.

Of course, philosophers, psychologists, theologians, and healers have a great deal to say on this subject, but no one I have encountered understood the array of “garments” we wear, the various fabrics, cuts, patterns, weavings, layers, and fashion statements made, more than Claudio Naranjo, hence my dedicating this book to him.

How do we know when we are making progress, when we are living non-egocentrically?

We know when loving becomes more important than being loved, when seeing becomes more important than being seen, when hearing becomes more important than being heard, when appreciating becomes more important than being appreciated, when understanding becomes more important than being understood, when serving becomes more important than being served, when thanking becomes more important than being thanked, when forgiving becomes more important than being forgiven, when blessing becomes more important than being blessed.

But before embarking on this journey toward non-egocentric living, I would like to introduce myself, to tell you how I came to perceive people, first physically, then psychology, and finally, spiritually.

to be continued… 

Trust Thyself

Ralph Waldo Emerson

Since 1986 I have given at least one graduation talk almost every year. Where they come from, I do not really know. An organized person, I am not. I tend not to save things. I just move on from where I am now. But this graduation speech I don’t have to save because, long ago, Emerson saved it for me.

For what I wanted to speak about, self-reliance, I turned to Emersons’ essay on the subject, an essay that inspired me when I was young, and no doubt inspired John Dewey and F.M. Alexander as well.

Here is what I read. I felt these ideas would help accompany my students as they cross over the bridge between being a good student of Alexanders’ work to becoming a good teacher of Alexanders’ work.

Excerpts from On Self Reliance by Ralph Waldo Emerson

Trust thyself. Every heart vibrates to that iron string.

There is a time in our education when we must arrive at the conviction that envy is ignorance; that imitation is suicide. We must take ourselves for better, for worse, as is our portion. Even though the wide universe is full of good, no kernel of nourishing corn can come to us but through our toil bestowed on that plot of ground which is given to us to till. The power which resides in us is new in nature, and we alone know what we can do, though not until we have tried.

We should learn to detect and watch that gleam of light which flashes across our mind from within. Yet, we dismiss without notice our thoughts, because they are ours. We but half express ourselves and are ashamed of that divine idea which each of us represents.

I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent and well-spoken individual effects and sways me more than what is right. I ought to go upright and vital and speak my truth in all ways. Truth is handsomer than the affectation of love. Your goodness must have some edge to it, or else it is none.

My life is for itself and not for a spectacle. I much prefer that it should be of a lower strain, but that it be genuine and balanced, than that it should be glittering and unsteady. What I must do is all that concerns me, not what people think.

You will always find those who think they know what is your duty, better than you know it. It is easy in the world to live after the worlds’ opinion; it is easy in solitude to live after our own. But the great person is who in the midst of the crowd keeps, with perfect sweetness, the independence of solitude. The objection to conforming to rules and conventions that have become dead to you is that it scatters your force. Force is withdrawn from your proper life.

So instead, do your work, and I shall know you. Do your work, and you shall reinforce yourself. With the exercise of self-trust new powers shall appear.

Who is the Trustee? What is the aboriginal Self on which a universal reliance may be grounded? The sense of being, which in calm hours arises in the soul, we know not how, is not separate from things, from space, from light, from time, or from others, but is one with them. Here is the fountain of action and thought. Here are the lungs of inspiration. We lie in the lap of immense intelligence, which make us receivers of its truth, and organs of its activities.

However, we must go alone. I like the silent church before the service begins, better than any preaching. But your isolation must not be mechanical, but spiritual, that is, it must elevate. Friend, client, child; sickness, fear, want, all knock at once at thy door and say, “Come out unto us.” But keep thy state; come not into their confusion.

The populace think that your rejection of popular standards is a rejection of all standards. But I have my own stern claims and perfect circle. It demands something god-like to trust oneself as one’s taskmaster. High be your heart, faithful your will, clear your sight.

Discontent is the want of self-reliance. It is an infirmity of will. Therefore, let us attend to our work. The secret of fortune is joy in our hands.

Insist on being yourself; never imitate. Do that which is assigned you, and you cannot hope too much, or dare too much. Know that power is inborn, that we become weak the moment we look outward and elsewhere. Abide in the simple and noble regions of your life.

Obey your heart.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A Grace of Sense – A Workshop with Bruce Fertman – October 5/6, 2019 – Dorset, England

 

At the still point of the turning world. Neither flesh nor fleshless;

Neither from nor towards; at the still point, there the dance is,

But neither arrest nor movement. And do not call it fixity…

The inner freedom from the practical desire,

The release from action and suffering, release from the inner

And the outer compulsion, yet surrounded

By a grace of sense…

T.S. Eliot

What would it be like if we were able to go from having adequate tactile, kinesthetic, and proprioceptive senses to having extraordinary tactile, kinesthetic, and proprioceptive senses? What if these senses became exceptionally accurate, reliable, open, refined, and awakened? What if we became capable of using our intra-personal senses that tell us about ourselves: kinesthetic, proprioceptive and, to some degree, tactile, with our inter-personal senses, our senses that tell us about all that we are in relation to: sight, hearing, taste, smell, and touch? What would it be like if we were able to, intensely and simultaneously, sense life within us and all around us? How would we experience the world? What would it feel like to be alive, to be us?

Man has no body distinct from his soul

for that called body is a portion of soul discerned by the five senses,

the chief inlets of the soul in this age.  

William Blake

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A Grace of Sense

 

Bruce’s touch is like a butterfly settling down on the very turning point of your soul.

And then you know, ‘That’s who I am, that is who I could be.’

Margarete Tueshaus
Equestrian, Argentine Tango Teacher, Alexander Technique Teacher, Bochum, Germany

 

Workshop Details:

When: Saturday and SundayOctober 5/6, 2019

Saturday – 12:30-18:30 – followed by supper

Sunday – 10:00-17:00 – lunch 13:00-14:00

Fee: £120 first day/£200 both days.

Where: Gaunts House, Dorset

http://www.gauntshouse.com/

To register for the workshop contact Ruth Davis at: ruth.a.davis@me.com

Phone: +44 (0) 7590 406267

To Make Payment: 

BACS

(Please reference your payment with your full name.) Sort Code: 40-47-59

Account No: 12037351

Acc Name R Davis

International Transfers via:

IBAN: GB24MIDL40475912037351 BIC:MIDLGB2172

If you have any questions, please do not hesitate to write to bf@brucefertman.com or to Ruth Davis, ruth.a.davis@me.com

 

About Bruce Fertman

Bruce has been using his hands, helping people to move well, for fifty-five years. He trained with five first generation Alexander teachers: Catherine Merrick Wielopolska, Marjorie L. Barstow, Richard M. Gummere Jr., Elisabeth Walker, and Erika Whittaker. Bruce brings a lifetime of training as a movement artist and educator to his work as an Alexander teacher, having trained in Gymnastics, Modern Dance, Ballet, Contact Improvisation, Tai Chi Chu’an, Aikido, Chanoyu, Argentine Tango, and Kyudo. In 1982, Bruce co-founded the Alexander Alliance International, an intergenerational, multicultural community/school. Currently director of the Alexander Alliance Germany, Bruce also teaches annually for Alexander Alliance training programs in Japan, Korea, and America. He conducts post graduate training programs in Dorset and Zurich. Author of  Teaching By Hand/Learning By Heart – Delving Into The Work Of F.M. Alexander.

 

Kevin

Kevin Saunders

It’s difficult for me to grasp that Kevin has died. He was such a careful person who took such good care of himself. No matter how much we try to take control of our lives, there is only so much control that we actually have. When our friends die in what feels to us, before their time, this truth hits home.

Anyone who knew Kevin knows that he was a quiet, solitary man. But, for some reason, he reached out to me and I, in turn, reached out to him. Being a director of a school, I thought Kevin would be good for our school, particularly good for the other students, and I was right. He was. I thought this because he was well read in Alexanders’ work and articulate about Alexanders’ ideas. Clearly, he had already studied a great deal, on his own, and had made Alexanders’ work part of his life. I wanted my other students to have the benefit of knowing a person who was so self-motivated and self-sufficient, who could figure things out by himself, and who was disciplined in applying what he figured out to his life. We all learned from him.

But for being the solitary person that Kevin was, he did reach out to us. In his measured way, he was very generous. I think he loved feeling himself as part of a community who welcomed him. He always offered teaching his yoga classes during our retreats. We enjoyed these classes and learned from the way in which he taught. He was keenly observant, and though he used his hands sparingly, when he did, they were remarkably accurate and effective. He reminded me of that story about the plumber who taps a water pipe twice in one spot, gets the entire system working perfectly, and then charges his customer $600. When the customer asked why so much, the plumber says, “I am only charging you $1.00 for the tap, but $599.00 for knowing where and how to tap. Kevin was precise, like this.

Kevin would have also liked the joke. That was another way he enjoyed reaching out. In performances and at graduations he would allow himself to be quite goofy, in his very British way, which we all loved. There were times when he was truly funny. Sometimes there was a playful bite to his humor, but always it was done with consideration.

I respected Kevin. He had integrity. He was true to himself. He was who he was. He was a friend, and I will miss him.

 

 

Body and Being – Delving Into the Work of F.M. Alexander – May 5, 2019 – Bruce Fertman – Zurich, Switzerland – A Workshop For Alexander Teachers And Trainee

A Sneak Preview into the Switzerland Alexander Alliance

Post Graduate Training Program

Beginning spring

2020

Identity would seem to be the garment with which one covers the nakedness of the self: in which case, it is best that the garment be loose, a little like the robes of the desert, through which one’s nakedness can always be felt, and, sometimes, discerned.

Baldwin

In Latin, the word persona means mask, or character. Having a persona implies there being a person behind the persona. Do we know our persona? Can we distinguish between our persona and who we are as a person?

Our word “character” derives from the Greek, kharakter, meaning an engraved mark or an imprint on the soul. The word engraved carries with it a sense of permanence, something not easily erased or undone, as does the word imprint. If we say that a person is of upstanding character, we suggest they are consistently and reliably honest and decent in their way of being in the world. But we might also say of someone, “They are a real character!” When we say this what we are saying is that there is something that sticks out about them, usually in a way that is odd or funny. In both cases, we are seeing something engraved, a mark of some kind, that seems to be a part of who they are. But is it?

Character is fixed, dense, hard; the Self fluid, soft, spacious.

In the Sukha Sutra, Buddha says it like this.

If we are like rock and something cuts into us, it will leave its mark, perhaps for generations to come.

If we become like sand and something cuts into us, it will leave its mark, but soon that mark will be gone.

And, if we become like water and something cuts into us, as soon as the mark appears, it will disappear, forever.

This is the goal, to become unfixed, un-postured, unbraced, unblocked. To become unafraid, unashamed, unaffected. To become unassuming, unarmed, unburdened. To become unbiased, unchained, uncovered. To become untied, unguarded, undiminished. To become unmasked, unpretentious, unhurried. To become unsophisticated, unselfish, unspoiled. To become untangled, unveiled. Unwritten.

Please join me.

OLYMPUS DIGITAL CAMERA

Bruce’s touch is like a butterfly settling down on the very turning point of your soul. And then you know, ‘That’s who I am, that is who I could be.’

 In Bruce’s class you feel as if you are sitting by a deep, soft lake. His pace and patience, his quiet confidence, allows people to unfold and open layer by layer. The superfluous falls away, leaving only life’s inner vitality effortlessly expressing itself through you.

Margarete Tueshaus
Equestrian, Argentine Tango Teacher, Alexander Technique Teacher, Bochum, Germany

Bruce has been using his hands, helping people to move well, for fifty-five years. He trained with five first generation Alexander teachers: Catherine Merrick Wielopolska, Marjorie L. Barstow, Richard M. Gummere Jr., Elisabeth Walker, and Erika Whittaker. Bruce brings a lifetime of training as a movement artist and educator to his work as an Alexander teacher, having trained in Gymnastics, Modern Dance, Ballet, Contact Improvisation, Tai Chi Chu’an, Aikido, Chanoyu, Argentine Tango, and Kyudo. In 1982, Bruce co-founded the Alexander Alliance International, an intergenerational, multicultural community/school. Currently director of the Alexander Alliance Germany and Switzerland, Bruce also teaches annually for Alexander Alliance training programs in Japan, Korea, and America. He conducts post graduate training programs in England and Switzerland. Author of the book, Teaching By Hand/Learning By Heart – Delving Into The Work Of F.M. Alexander, published by Mouritz Press.

Workshop Details:

Post graduate workshop for Alexander teachers and trainees. Limited participants.

When: 05.05.2019, 10am – 5:30pm

Where: Feldstrasse 24, 8004 Zurich (close to stop «Zürich,Kalkbreite/Bhf.Wiedikon»)

Fee: CHF 160.- (Students CHF 125.-)

Workshop language: English (translation to German possible)

Individual lessons (CHF 110.–/45ˈ) can be arranged on Thursday, 09.05.2019, and Friday, 10.05.2019.

Organizer and assistant teacher: Magdalena Gassner

To register call +41 77 475 50 27 or write to m.gassner@alexanderalliance.de

If you have any questions, please do not hesitate to write to me, bf@brucefertman.com or to Magdalena Gassner, m.gassner@alexanderalliance.de.

Hope to see you in Zurich!

Bruce Fertman

Calming Down/Waking Up – A Workshop In The Alexander Technique With Bruce Fertman, Zurich, Switzerland, Saturday, May 4, 2019

 

 

The way up and the way down are one and the same.

Heraclitus

Forty-five years ago, when I first began studying both Tai Chi Chu’an and the Alexander Technique, my Tai Chi teachers would tell me how I needed to let my chi sink down. They revered the ground and spoke of the importance of the tant’ien, the belly. My Alexander teachers emphasized the importance of the neck and head, and of lengthening up through the spine. “Gravity just keeps your feet from floating off the ground.” one of my Alexander teachers declared. “Up but not held up. Down but not pulled down,” Tai Chi teacher Ben Lo instructed me. “Above but not raised up; below but not depressed,” wrote Hildegard von Bingen.

Needless to say, I was utterly confused. But now I am not. Slowly, I found the solution to this problem, the answer to this somatic riddle.

Join me for a day of study and self-discovery. Experience the interplay between upward and downward forces. As these forces become ‘one and the same’, we experience what it is like to be calm and clear, soft and strong, light and substantial.

This workshop is for those brand new to the Alexander Technique and for current students of the Alexander Technique. The workshop is also for Alexander trainees and teachers who want to become effective in teaching the Alexander Technique in groups.

And when the slope feels gentle to the point that climbing up sheer rock is effortless as though you were gliding downstream in a boat, then you will have arrived where this path ends.

Dante

11a

He is the embodiment of his work. His touch is like a butterfly settling down on the very turning point of your soul. And then you know, “That’s who I am, that is who I could be.”

Tueshaus, Alexander Teacher / Tango Teacher/ Equestrian

Bruce has been using his hands, helping people to move well, for fifty-five years. He trained with five first generation Alexander teachers: Catherine Merrick Wielopolska, Marjorie L. Barstow, Richard M. Gummere Jr., Elisabeth Walker, and Erika Whittaker. Bruce brings a lifetime of training as a movement artist and educator to his work as an Alexander teacher, having trained in Gymnastics, Modern Dance, Ballet, Contact Improvisation, Tai Chi Chu’an, Aikido, Chanoyu, Argentine Tango, and Kyudo. In 1982, Bruce co-founded the Alexander Alliance International, an intergenerational, multicultural community/school. Currently director of the Alexander Alliance Germany and Switzerland, Bruce also teaches annually for Alexander Alliance training programs in Japan, Korea, and America. He conducts post graduate training programs in England and Switzerland. Author of the book, Teaching By Hand/Learning By Heart – Delving Into The Work Of F.M. Alexander, published by Mouritz Press.

Workshop Details:

No prior experience necessary.
People of all ages welcome.
Limited participants.

When: 04.05.2019, 10am – 5:30pm

Where: Feldstrasse 24, 8004 Zurich (close to stop «Zürich,Kalkbreite/Bhf.Wiedikon»)

Fee: CHF 160.- (Students CHF 125.-)

Workshop language: English (translation to German possible)

Individual lessons (CHF 110.–/45ˈ) can be arranged on Thursday, 09.05.2019, and Friday, 10.05.2019.

Organizer and assistant teacher: Magdalena Gassner

To register call +41 77 475 50 27 or write to m.gassner@alexanderalliance.de

If you have any questions, please do not hesitate to write to me, bf@brucefertman.com or to Magdalena Gassner, m.gassner@alexanderalliance.de.

Hope to see you in Zurich!

Bruce Fertman

Body and Being – Delving Into the Work of F.M. Alexander – April 12/13, 2019 – Bruce Fertman – Dorset, England

FACE DESKTOP copy

Navajo Woman – photo: B. Fertman

Identity would seem to be the garment with which one covers the nakedness of the self: in which case, it is best that the garment be loose, a little like the robes of the desert, through which one’s nakedness can always be felt, and, sometimes, discerned.

Baldwin

In Latin, the word persona means mask, or character. Having a persona implies there being a person behind the persona. Do we know our persona? Can we distinguish between our persona and who we are as a person?

Our word “character” derives from the Greek, kharakter, meaning an engraved mark or an imprint on the soul. The word engraved carries with it a sense of permanence, something not easily erased or undone, as does the word imprint. If we say that a person is of upstanding character, we suggest they are consistently and reliably honest and decent in their way of being in the world. But we might also say of someone, “They are a real character!” When we say this what we are saying is that there is something that sticks out about them, usually in a way that is odd or funny. In both cases, we are seeing something engraved, a mark of some kind, that seems to be a part of who they are. But is it?

Character is fixed, dense, hard; the Self fluid, soft, spacious.

In the Sukha Sutra, Buddha says it like this.

If we are like rock and something cuts into us, it will leave its mark, perhaps for generations to come.

If we become like sand and something cuts into us, it will leave its mark, but soon that mark will be gone.

And, if we become like water and something cuts into us, as soon as the mark appears, it will disappear, forever.

This is the goal, to become unfixed, un-postured, unbraced, unblocked. To become unafraid, unashamed, unaffected. To become unassuming, unarmed, unburdened. To become unbiased, unchained, uncovered. To become untied, unguarded, undiminished. To become unmasked, unpretentious, unhurried. To become unsophisticated, unselfish, unspoiled. To become untangled, unveiled. Unwritten.

Please join me.

26 copy 2

Bruce’s touch is like a butterfly settling down on the very turning point of your soul. And then you know, ‘That’s who I am, that is who I could be.’

 In Bruce’s class you feel as if you are sitting by a deep, soft lake. His pace and patience, his quiet confidence, allows people to unfold and open layer by layer. The superfluous falls away, leaving only life’s inner vitality effortlessly expressing itself through you.

Margarete Tueshaus
Equestrian, Argentine Tango Teacher, Alexander Technique Teacher, Bochum, Germany

About Bruce Fertman

Bruce has been using his hands, helping people to move well, for fifty-five years. He trained with five first generation Alexander teachers: Catherine Merrick Wielopolska, Marjorie L. Barstow, Richard M. Gummere Jr., Elisabeth Walker, and Erika Whittaker. Bruce brings a lifetime of training as a movement artist and educator to his work as an Alexander teacher, having trained in Gymnastics, Modern Dance, Ballet, Contact Improvisation, Tai Chi Chu’an, Aikido, Chanoyu, Argentine Tango, and Kyudo. In 1982, Bruce co-founded the Alexander Alliance International, an intergenerational, multicultural community/school. Currently director of the Alexander Alliance Germany, Bruce also teaches annually for Alexander Alliance training programs in Japan, Korea, and America. He conducts post graduate training programs in Dorset and Zurich. Author of  Teaching By Hand/Learning By Heart – Delving Into The Work Of F.M. Alexander.

Workshop Details:

When: Friday and SaturdayApril 12/13, 2019

Friday – 12:30-18:30 followed by supper/Saturday – 10:00-17:00 – lunch 13:00-14:00

Fee: £120 first day/£200 both days.

Where: Gaunts House, Dorset

http://www.gauntshouse.com/

To register for the workshop contact Ruth Davis at: ruth.a.davis@me.com

Phone: +44 (0) 7590 406267

To Make Payment: 

BACS

(Please reference your payment with your full name.) Sort Code: 40-47-59

Account No: 12037351

Acc Name R Davis

International Transfers via:

IBAN: GB24MIDL40475912037351 BIC:MIDLGB2172

If you have any questions, please do not hesitate to write to me, bf@brucefertman.com or to Ruth Davis, ruth.a.davis@me.com.

Hope to see you at Gaunts House!

Bruce Fertman

 

 

Etwas Leichtigkeit – Übersetzung: Matthias Liesenhoff

Herr Yamamoto hatte einen langen Tag.

Endlich am Ende angelangt, steigt er auf sein Fahrrad und schlängelt sich durch enge Straßen, gesäumt von alten, staubigen Läden und verwitterten Holzhäusern. Es ist Winter, 18:30 und bereits dunkel. Schwere weiße Schneeflocken fallen in Zeitlupe durch einen indigoblauen Himmel, so wie sie es in Kyoto seit 1400 Jahren tun.

Aus den Nebenstraßen des alten Kyoto taucht Herr Yamamoto auf wie in eine andere Welt; weite Straßen voller vertikaler Neonreklamen, große LED Werbeflächen, Hochhäuser von Finanzinstituten und teure Kaufhäuser. Er hält an vor einem 7-Eleven, schnappt sich ein Bento und eine Packung Butterkekse zum Teilen während der Pause, steigt wieder auf sein Fahrrad und bemerkt, dass er spät dran ist.

Herr Yamamoto ist ein 50-jähriger Mathelehrer an einer Oberschule, der vom Ruhestand träumt. In seiner verschlissenen Leder-Aktentasche, die nun scheinbar erschöpft in seinem Fahrradkorb ruht, sind die Klausuren seiner Schüler, die er später in der Nacht noch benoten wird, denn an diesem Abend wird er selbst an einem Unterricht teilnehmen, einer Klasse für sich selbst.

Herr Yamamoto hofft, mehr über seinen Körper zu lernen. Er möchte mehr Energie haben. Er möchte etwas Spaß haben, sich etwas Gutes tun. Der Empfehlung eines Freundes folgend, hat er sich gegen seine Vernunft angemeldet für eine Reihe von Stunden in Alexandertechnik.

Etwa zwölf Schüler haben sich versammelt, Männer und Frauen, alte und junge, größtenteils Menschen, die sich einfach lebendiger fühlen wollen, ein bisschen leichter, ein bisschen glücklicher.

An diesem Abend habe ich mit den Schülern gearbeitet an Tätigkeiten, die sie im Beruf ausführen müssen; an Dingen, die sie nicht gerne tun. Ich arbeitete mit einem Mann, der Telefonanrufe von verärgerten Kunden annimmt, die sich beschweren über das, was sie gerade kauften und es zurückgeben möchten. Ich arbeitete mit einer Frau, die auf Händen und Knien einen Holzboden schrubbt. Ich arbeitete mit einem Mann, der sich morgens als erstes von seinem Boss anschreien lassen muss.

Nun ist Herr Yamamoto an der Reihe. Er öffnet seine Aktentasche und lässt  den Stapel unbenoteter Klausuren herausgleiten. Er geht hinüber zu einem Schreibtisch in der Ecke, setzt sich hinter den Schreibtisch, wirft den Stapel Papiere auf den Tisch, zieht einen Bleistift aus seiner Hemdtasche, seufzt tief, und beginnt.

Ich schaue nur, fühle was er fühlt, spüre was geschieht durch meinen gesamten Körper, so wie ich seinen gesamten Körper betrachte. Unter dem Tisch sehe ich seine Füße und Beine einwärts gedreht, besonders sein linkes Bein. Sein Becken rollt zurück. Sein Magen ist eng. Seine Brust ist eingesunken. Sein Kopf sinkt und neigt sich nach links. Sein Körper sieht aus, als würde er weinen, aber Herr Yamamoto weint nicht. Dann sehe und fühle ich es: stumme, verzweifelte Resignation.

Herr Yamamoto kritzelt etwas auf die erste Klausur. „Wie hat Ihr Schüler abgeschnitten?“ frage ich. „D. Nicht gut.“ Herr Yamamoto macht weiter. C. D. C+. F. Er schüttelt seinen Kopf. Er altert vor meinen Augen.

„Herr Yamamoto (so nennt ihn jeder), wie wäre es, wenn ich Ihnen ein wenig helfe?“ „Onegaishimasu“ sagt er, sich leicht verbeugend. „Bitte helfen Sie mir.“ Ich gehe hinter ihn, lege sanft meine Hände an beide Seiten seines Nackens und führe sachte seinen Kopf zurück nach oben. Sein Körper steigt, wie ein Mann, der lange unter Wasser war und endlich hochkommt, um Luft zu holen. Seine Brust schwillt, sein ganzer Körper dehnt sich reflexartig in alle Richtungen. „Zen, zen chigau, waaaaa“ sagt Herr Yamamoto mit einem Ausdruck von Ekstase auf seinem Gesicht. Alle lachen. Ich kann fühlen, wie sehr alle ihn mögen.

„Okay, Herr Yamamoto, zensieren Sie weiter ihre Klausuren und wir schauen, was passiert.“

  1. Alle lächeln, bis auf Herrn Yamamoto. B+. Eeeeeeeeh!?, ein aufsteigender Klang, zu hören, wenn Japaner angenehm überrascht sind. Mehr Lächeln und etwas Lachen, aber nicht von Herrn Yamamoto.
  2. A. A+. A. Nun rollen sich alle buchstäblich vor unkontrollierbarem Lachen auf dem Boden. Es ist nicht zu unterdrücken. Herr Yamamoto jedoch bleibt still und ausdruckslos. Ich bin nicht sicher, was er fühlt. Ich tue mein Bestes, bei ihm zu bleiben, aber das ungezügelte Lachen im Raum ist zu ansteckend. Ich falle ein.

Und plötzlich lacht auch Herr Yamamoto. Er lacht so sehr, dass Tränen seine Wangen hinabrollen. „Vielleicht haben diese verrückten Buddhisten recht“, sagt Herr Yamamoto. „Vielleicht ist die Welt nichts als ein großer Spiegel.“

„Mit dieser Bemerkung lasst uns schließen.“ sage ich. Rasch setzen sich alle in einem Kreis auf den Boden, kniend in Seiza, und verbeugen sich tief. Immer noch von Ohr zu Ohr grinsend rufen wir laut „Domo arigato gosaimashita.“ Vielen, vielen Dank. Wir sind dankbar für das Zusammen­sein, dankbar für unser Lernen, dankbar für etwas Leichtigkeit in unserem Leben, dankbar für Herrn Yamamoto.

Herr Yamamoto wirft sich seinen Schal um den Hals, wirft seine Aktentasche in den Korb, und springt auf sein Fahrrad. Die frische Nachtluft füllt seine Lungen. Der Schnee sieht weißer aus. Er wirbelt; er fällt aufwärts.

 

Japanische Wörter und Phrasen

Bento: eine Sushi-Box zum Mitnehmen

7-Eleven: eine japanische Supermarktkette, geöffnet von 7 bis 23 Uhr

Domo arigato gosaimashita: vielen Dank

Onegaishimasu: bitte hilf mir, bitte nimm dich meiner an

Seiza: traditionelle und förmliche Sitzhaltung, auf dem Boden kniend, Beine eng gefaltet unter den Oberschenkeln, Po auf den Fersen

Zen chigau: völlig anders.

 

Original: Bruce Fertman, aus „Teaching by Hand, Learning by Heart“ Seite 100, „A Little Lightness“

Übersetzung: Matthias Liesenhoff 2018-10-21