Studies In Stillness
Still is not the same as immobile. Stillness is alive. For painters, objects are alive with texture, color, light, shape, dimension, weight, time. And they are always in relation to other objects and to gravity. They always exist in space. Objects sit. They rest.
Not only seeing, but feeling how objects exist in the world can help us. Objects know how to rest fully on the ground. They are not restless. They know how not to effort. They’re not afraid to make contact, to give and receive weight. They don’t try to change themselves, or to be different than they are. They take a kind of pride in their inherent structures, as if saying to us, “I am what I am.”
We could learn a lot about presence and peace from them.
In Gregory Golbert, Ashes and Snow, we get to see, to feel, what the possession of these qualities look like within humans and animals. We get to see that for which we long. We get to see what our modern Western way of life has abandoned, no, has never known. We get to see the unknowable.
And we recognize the unknowable, because we are seeing what exists deep within us.
The question arises, are we courageous enough to become this still, this quiet, this alive?
And if we were courageous enough, and if we did become this still, this restful, what would happen to us?
Can we know the unknowable?
Watch and see.